The song was written as a tribute to Atlanta rapper Rich Homie Quan and his music video for “Flex”. Rich Homie Quan popularized a series of circular, deep, oscillating dance moves in videos and live performances — what iHeartMemphis calls Quan. The phrase Hit the Quan essentially means “the same dance moves as Rich Homie Quan.” The colloquial phrase is mostly used by teens in relation to singing and dancing, but people of all ages and backgrounds – from 5-year-olds to The Rock – have uploaded videos showing their own interpretations of the Quan encounter. As with other viral trends, Hit the Quan has become the source of memes and puns online. An abbreviated form for Furqan, but if it is written as Furquan. Generally a decent person, but generally considered rich, well-educated, eloquent and intellectual. A battle mode piece from Super Mario All-Stars, a video game for the Super Nintendo Entertainment System. Inspired by the quote from the movie “Jerry Maguire”: “Some players have coins, but I have the Quan.” The phrase Hit the Quan reached its peak in popularity in the fall of 2015. And it continues to appear on social media feeds as another example of buzzphrases inspired by popular dance moves (e.g., Watch me whip). This is not a formal definition of Hit the Quan, like most of the terms we define on Dictionary.com, but rather an informal summary of the words that hopefully addresses the key aspects of the meaning and use of Hit the Quan that will help our users develop their mastery of words. In 2015, Kansas City Chiefs tight end Travis Kelce hit the Quan so well after a touchdown that a spectator watching the game complained, “Do you really want your mom to see you in the air?” The Legion of Extraordinary Dancers (The LXD) is a web series by Jon M.
Chu,[154][note 12] about a group of dancers who discover through their dance moves that they have superpowers. [155] Each character specializes in a dance style. Therefore, a wide range of styles are displayed, including Krumping, Tutting, Breaking, Locking, Boogaloo and Popping. [155] [156] The majority of the dances shown in the series are hip-hop; However, other styles have also been performed, including jazz, tap dancing and ballet. [157] AdvertisingAge.com gave the series a positive review, which stated: Each episode of “LXD” contains a wealth of narrative sophistication in its eight or nine minutes. Combine this with values of theatrical production and a cast that strives to an unholy degree, and the end result is – Wortspielzeit! –extraordinary. [158] “Hit the Quan” is a hip-hop dance and song by rapper iHeartMemphis. The main movements include kicking, squatting and swinging the arms, which mimic the text “I said go down low and swing your arm.” The dance industry responded to hip-hop dance by creating a commercial version of it. This urban choreography, or studio hip-hop, sometimes referred to as the “new style,” is the type of hip-hop dance seen in music videos and concerts of rap, R&B, and pop music.
From the perspective of someone who is deeply immersed in hip-hop culture, anything that looks like hip-hop dance, doesn`t come from the street and isn`t improvised in nature isn`t a true form of hip-hop dance. In an interview with Dance magazine, choreographer and hip-hop dance teacher Emilio “Buddha Stretch” Austin Jr. described his point of view: MOHH may have been the first hip-hop dance convention, but it`s not the only one that exists. The Urban Dance Camp (UDC) is a six-week German dance party that takes place every year in Lörrach, a small town on the border between France and Switzerland. [80] In an account of the event in a local newspaper, Bettina Kraft, executive director of the SVP, estimated that 85% of the participants came from abroad. In 2009, Kraft founded Urban Dance Showcase, a side event at the UDC reserved solely for performances by professional choreographers, dance teams, and UDC teachers. [81] Dancers such as Shaun Evaristo, The Twins, I.aM.mE, B-Boy Lilou, and B-Boy Hong 10 have appeared in the storefront in the past. In 2004, Safi Thomas founded the Hip-Hop Dance Conservatory (HHDC) in New York City.[82] [65] Thomas` goal was to provide hip-hop dancers with a comprehensive education comparable to what ballet, modern dancer and jazz dancers experience in their respective institutions. [182] HHDC offers a formal program with dance classes (breaking, freestyle, locking, etc.) and academic courses (dance theory, physiology, kinesiology, etc.) for individuals who want to pursue a career in hip-hop dance. [65] [183] It is the only educational institution in the United States dedicated exclusively to teaching hip-hop dance.
[183] HHDC does not award degrees. It is a non-profit organization and repertory company that issues certifications to dancers who complete the three-year program. Another style created by the dance industry in response to hip-hop was jazz-funk.[65] Jazz-funk (also called street jazz) is a mix of hip-hop and jazz dance. This style was presented in its original form in a series of comedy sketches entitled In Living Color.[14] [74] The Fly Girls resident dance troupe opened and ended each show with a hip-hop and jazz performance choreographed by Rosie Perez. [74] R&B singer Beyoncé uses this style. [14] The Korean dance group Prepix also uses this style. They choreographed for K-pop singers Jay Park and G.NA, as well as for K-pop boy bands 2PM and B2ST.[75] [75] Although jazz-funk borrows from hip-hop dance, it is not considered a hip-hop style, as the basic movements are jazz. In hip-hop – even lyrical hip-hop – there are no pirouettes or arabesques and the dancers do not perform in a raise (on the ball of the feet).
However, these methods are mainly used in jazz-funk and jazz dance in general. [14] The term “new style” was coined by dancers outside the United States. According to Moncell Durden, associate professor at Drexel University and director of the film History and Concept of Hip-Hop Dance, the 1992 dance documentary Wreckin` Shop From Brooklyn had a big influence on hip-hop dancers in France and Japan. [66] These dancers wanted to move like the New York hip-hop dancers portrayed in the documentary. They called the social dance they saw “new style,” which was short for “New York style.” [66] Turfing, an acronym for Taking Up Room on the Floor, was founded in 2002 by Jeriel Bey in Oakland, California. [47] Turfing is a fusion of facial expressions and glide, which emphasizes narration (through movement) and illusion. Unlike the pride of the San Francisco Bay Area, lawn has avoided becoming a fad because of local grass dance competitions and local youth programs that promote the lawn as a form of physical activity. [47] Although hip-hop dance is established in film and television, it has not achieved the same notoriety in theatre. This may be because dance is performed more in film and television than in theatre. [133] B-boy and popper Stefan “Mr.
Wiggles” Clemente and hip-hop historian Jorge “Popmaster Fabel” Pabon were involved in hip-hop theater from the beginning. His dance company GhettOriginal produced the first hip-hop shows: in 1991, the off-Broadway musical So! What happens now? and 1995 Jam on the Groove. [134] [135] Both shows were performed by the Rock Steady Crew, Magnificent Force and the Rhythm Technicians. [136] [137] In addition to the pioneers of New York, Rennie Harris` Puremovement was a hip-hop theatre group. Harris founded Puremovement in 1992 in Philadelphia, Pennsylvania. One of Puremovement`s theatre shows, Rome & Jewels, won two Black Theater Alliance Awards and three Bessie Awards.[64] [138] In 2012, Harris and his company toured Egypt, Israel, and the Palestinian territories as part of Dance Motion USA, a program sponsored by the U.S. State Department to showcase American dance in other countries and promote cultural exchange. [139] German b-boy pioneer Niels “Storm” Robitzky has his performance roots in hip-hop theater. In 1991, Robitzky — known as “Swipe” — left Germany with his combat team for New York in search of b-boy legends to study with. [140] When he came to New York, he met b-boy Gabriel “Kwikstep” Dionisio, who personally supervised him and introduced him to New York techniques. In New York, he also became familiar with Clemente`s funk styles.[140] [141] Clemente and Dionisio knew each other, as Dionisio was a founding member of GhettOriginal and Rhythm Technics.
A year later, in 1992, Robitzky performed GhettOriginal at the Kennedy Center in Washington, D.C. and Lincoln Center in New York. [141] It was Dionisio who gave Robitzky a new name, “Tempest.” In 2000, he wrote a book entitled Von Swipe zu Storm: Breakdance in Deutschland.[140] [142] Quan is a person who is neither stupid nor retarded, nor ugly, nor poor nor dirty, who does not have a small tail and who is certainly Asian. Before reaching the cinema audience, hip-hop dance was already broadcast on television. Soul Train was a syndicated music variety show that featured social dances and performances by African-American soul, funk, and R&B singers. The show aired in South Korea on the Korean network of the U.S. Armed Forces. Before officially becoming a team, The Lockers made several appearances on the show.[98] After becoming a team, The Electric Boogaloos also appeared on the show.[99] [14] [100] Soul Train was established in 1970. [101] During its 36 years of existence, resident freestyle dancers were called the Soul Train Gang. Auditions were held in 1971 when the show moved from Chicago, Illinois to Los Angeles, California.[102] Dancers who wanted to board the Soul Train after this period had to rely on word-of-mouth from dancers already employed by the show. [102] [103] A regular feature during the show was the Soul Train Line. [104] To participate, the dancers formed two lines of equal length, facing each other, with a large space in between.